Rosalind Krauss and American Philosophical Art Criticism: From Formalism to Beyond Postmodernism

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Contemporary philosophy. Western philosophy. Analytic [1] [2]. Aesthetics , cultural criticism , comics theory [1].

Fler böcker av David Carrier

Analytic philosophy of comics [1] [2]. Influences Arthur Danto. Human conflict thus becomes an inherent aspect of philosophical art criticism, in clear contrast to the abstract reflections of a philosopher on a given topic.

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Carrier explains the difference:. Carrier contends that the historicist viewpoint that Krauss assumed in her philosophy of art necessitated revising the modernist narrative to accommodate her ideas.

Rosalind Krauss

Carrier explains how Krauss used psychological theories associated with Surrealist practice to psychologize ideas first explored in The Originality of the Avant-Garde. In adopting this approach, Krauss inscribed her own ideas into a new history of modernism.

History of Art Documentary

In his final chapters, Carrier considers how Krauss continued to develop her ideas based on psychological experience and understanding, as well as her parallel interest in the linguistics and semiotic analysis of Cubism. Carrier argues that although this theory offers a clear alternative to modernist formalism and is important to understanding current trends in art, it remains distanced from philosophical practice because it assumes a dramatically different view of human experience, based in psychoanalytical knowledge, which recognizes no distinctions between representation and reality.

He concludes that Krauss is an aesthete who remains most interested in the formal and philosophical questions of art.

Carrier thinks not. Krauss notably resisted aligning herself with artists and writers who openly advocated a feminist agenda.

Rosalind Krauss and American Philosophical Art Criticism: From Formal…

Nevertheless, more personal accounts about Krauss frequently mention her estrangement from other notable female voices of the period. Virginia B. Editorial team. David Carrier.

Praeger In the Beginning Was Formalism 17 -- Chapter 2. The Structuralist Adventure 33 -- Chapter 3. Resentment and Its Discontents 71 -- Chapter 5.

Rosalind Krauss and American Philosophical Art Criticism: From Formalism to beyond Postmodernism

Philosophy of Literature in Aesthetics. Edit this record. Mark as duplicate. Find it on Scholar. Request removal from index. Revision history.


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